TRANSCENDENT SPACE

Transcendent Space is an intimate tabletop performance that explores themes of isolation, creativity, and identity.

This thought-provoking new work explores themes of isolation, longing, and the boundless power of human ingenuity. Witness the journey of a lone astronaut as she battles monotony, cabin fever, and the lingering ghosts of her past, transforming everyday objects into the mysteries and marvels of a sci-fi odyssey.

This show not only highlights the astronaut's struggle for human contact and companionship but also reflects on the concept of legacy. It encapsulates the monumental and mundane aspects of human existence and the desire for something of oneself to remain after they are gone.

TRANSCENDENT SPACE, WORK-IN-PROGRESS SHARING Is
FEBRUARY 7-8,2025


PERFORMANCE SCHEDULE

Friday, February 7th - 7:30 pm

Saturday, February 8th - 7:30 pm

Doors open at 7:00 pm.

Location

West Village Theatre (2007 10 Ave SW, Calgary, AB T3C 0K4)
Google Maps Directions


NEWS & MEDIA


CREDITS

This workshop and development are made possible with funding provided by Calgary Arts Development

Created by Robin Leveroos and Eric Rose

Performed by Robin Leveroos

Directed by Eric Rose

Kat Andra Armstrong – Production Assistant

In Phase One Development January 27 - February 9, 2025

Phase One Development Workshop Produced by Ghost River Theatre.

GRT supports the development of new work through a significant investment in creative research, often bringing together teams of devising collaborators for multiple development phases. During this first phase, the artists will collectively explore and develop the theatrical language and aesthetics that will form the foundation of TRANSCENDENT SPACE. We invite our community to follow the journey of TRANSCENDENT SPACE’s development over the next few seasons.


CREATIVE TEAM

Robin Leveroos

Co-Creator, Designer, and Performer

GRT Artist-in-Residence, 2024-25

Robin Leveroos (she/her) is an interdisciplinary artist, designer, and insatiable tinkerer. Her practice focuses on queer use of objects, experimental animation, and playfully questioning how we see and experience the material world around us. In addition to producing Macromatter works, she also collaborates with other artists and companies as a performer and scenographer.

Some presentation highlights include: Schaubude, Berlin, Festival de Casteliers, Montreal, PuSh International Performing Arts Festival, Vancouver, Macau Puppet and Object Theatre Festival, Macau, Prague Quadrennial of Performance Design, Prague, World Stage Design ScenoFest, Taipei, Walker Art Center, Minneapolis.

Originally from Minneapolis, MN, Robin immigrated to Canada in 2005. She graduated from The National Theatre School of Canada in Montreal and holds an MFA in Performance and Design from Simon Fraser University. She served three seasons running the youth programming at The Cultch in East Vancouver, and continues to work with youth and young artists of all ages. Now residing in Berlin, some passions include reading, cycling, farming, sewing, jewelry design, and rave dancing.

macromatter.com

Eric Rose

Co-Creator and Director

GRT Artistic Director

Eric Rose is an award winning multi-disciplinary director and creator of live performance and the Artistic Director of Calgary’s acclaimed Ghost River Theatre.  His passion for the creative process has inspired the diversity of his multidisciplinary experience spanning: large scale contemporary and classical theatre, site- specific performance, devising theatre, new play development, physical performance and dance. Eric’s work embraces a hybrid of high tech visual spectacle with low-fi theatrical magic and is developed through a significant investment in imaginative research and development.

Kat Andra Armstrong

PRODUCTION ASSISTANT

Katherine! (she, her, hers) I’m a trans actress and artist working in Guts’ists’i, Wîcîspa, Moh'kinstsis; Colonial Calgary. Wild in constellations, demonic uni-debt I swear I won’t take to the grave (while U of C president Ed McCauley takes $492,275.62 yearly), and thrums of rain. Lately, when not brutalized by cops the uni sics on their student body: been Fringe-ing and dating audiences in DATE NIGHT, live-synthing at BUDDIES IN BAD TIMES, inciting hostage takeovers in TALKING TO YOUR KIDS ABOUT GUNS, crying over students’ writing at ATP, humming-birding in WAGONSTAGE, and video-producing with QUEST.

Recently wrote and illustrated a 56 pg. picture-fable: FREE TIME; about love, Imperial genocidal Canada, family, and doom.

Come be a clown and swim! Tell me scary stories of ghosts, dreams, love, and if you should take estrogen (yes).